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Investigative Reports

Jerrold Tarog wraps up ‘Bayaniverse’ trilogy with ‘Quezon’

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Last updated: October 18, 2025 2:31 am
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Jerrold Tarog wraps up ‘Bayaniverse’ trilogy with ‘Quezon’
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Jerrold Tarog was already ready to shelve Quezon, the final installment in his trilogy of historic biopics aptly referred to as “Bayaniverse,” after a take care of Amazon’s Prime Video, which was purported to fund the movie, fell by. That’s, till govt producer Daphne Chiu-Quickly of TBA Studios managed to safe alternate funding, following three months of radio silence from the streaming service.

The Bayaniverse started a decade in the past, with Heneral Luna in 2015 and Goyo: Ang Batang Heneral in 2018, throughout the peak of the Marvel Cinematic Universe, which has already produced practically 40 superhero films.

Tarog wrote an in depth remedy over 5 years in the past and got here up with a primary draft, alongside co-writer Rody Vera, someday throughout the pandemic. The writers later made adjustments within the materials, as instructed by Prime Video, which grew to become the model they ended up filming.

“It was all the time meant to be a trilogy that includes [Antonion] Luna, Goyo [Gregorio del Pilar] and [Manuel] Quezon, with [Emilio] Aguinaldo as one of many threads that tied the entire thing collectively,” the director tells Rappler. “This was impressed by Nick Joaquin’s A Query of Heroes, the place key historic figures had been dissected and their legacies questioned.” 

Clocking in at over two hours, the film follows the titular Philippine president in his persistent pursuit of energy fractured by his struggle for the nation’s independence from colonial powers and patronage politics — a tradition which may as nicely clarify the place we’re as a nation now. 

Now enjoying in native theaters, Quezon will even make its worldwide premiere later this month within the “Highlight on the Philippines” program of the 2025 Hawaii Worldwide Movie Competition.

Jericho Rosales behind the scenes of ‘Quezon.’ Photograph courtesy of Harold Quickly

Tarog says he initially imagined Quezon as a political thriller, however additional analysis, which concerned thoughts mapping and parsing info from round 50 books, made him notice that the movie could be higher informed as a darkish comedy. Vera additionally learn a lot of the books he went by.

“Similar as the primary two movies, the goal for Quezon is to introduce grey areas within the lives of individuals we’ve become statues,” he says. “So fairly than a simple hagiography with clear villains and heroes, Quezon reveals the political video games, the manipulation, the compromises, realpolitik vs idealpolitik, all wrapped in what we hope is an entertaining movie.” 

“The entire trilogy is about what makes these folks human and likewise larger-than-life,” he continues. “It’s additionally our try and make historical past accessible.”

All through the trilogy, Anvil Publishing has launched companion books detailing the making of every movie. The companion e-book to Quezon was launched on the Manila Worldwide Ebook Honest final month. Other than this, examine guides mainly supposed for educators written by historian Alvin Campomanes are accessible on the web site of the human rights schooling establishment Energetic Vista.

“We hope folks will flip to these as nicely in the event that they need to dig a little bit deeper,” Tarog says.

Clothing, Coat, Formal Wear
Director Jerrold Tarog on set with Jericho Rosales. Photograph courtesy of Pong Ignacio

Jericho Rosales now performs the lead character, following the exit of TJ Trinidad from present enterprise. Trinidad, who even visited Rosales on set, was purported to tackle the function, after Goyo: Ang Batang Heneral ends with a close-up on a marketing campaign flyer that includes the actor because the older Manuel L. Quezon, aside from the truth that he bears an uncanny resemblance to the primary president of the Philippine Commonwealth.

“When TJ Trinidad backed out of the undertaking, Jericho was the one actor I may consider who may really embody the type of power the character required,” Tarog says. “And he did an incredible job. On set, he was all the time stuffed with power and fervour, a pleasant man by and thru. His performing instincts are sharp and he saved on shocking me with sudden peaks and valleys in his portrayal.”

The solid additionally contains Recreation of Thrones alum Iain Glen as Main Basic Leonard Wooden, certainly one of Quezon’s political rivals, alongside Benjamin Alves as youthful Quezon (the identical half he performed in Heneral Luna), Karylle as Aurora Quezon, Mon Confiado as Emilio Aguinaldo, Romnick Sarmenta as Sergio Osmeña, JC Santos as Manuel Roxas, and extra.

Filming bought going round March to June this 12 months. “The most important problem for me was managing the psychological weight of preserving the visible language of the movie clear and constant,” Tarog says. “We have now scenes that require completely different reactions about one factor from completely different folks. How do you tempo that? How do you select which faces we have to see? How do you make certain the feelings of the characters and the viewers are in sync? It’s all challenges associated to craft.”

Opposite to the trilogy’s earlier installments, Quezon leans “much less on scale” and “extra about intimate areas, facial expressions, reactions, and watching folks assume.”

“In Quezon, the struggle isn’t on battlefields however inside rooms, in hallways and bedrooms. It’s a disagreement and a battle of wills.”

Previous this, the Quezon crew needed to take care of the bodily problem of filming the marketing campaign parades underneath the scorching summer time warmth.

“I used to be additionally modifying in between capturing days and after I completed modifying, I went straight to movie scoring,” the director says. “So, from preproduction, which began late 2024, all the way in which to the tip of post-production round September of this 12 months, I used to be working nonstop.”

Clothing, Hat, Sun Hat
‘Recreation of Thrones’ veteran Iain Glen and Jerrold Tarog on the movie set. Photograph courtesy of Harold Quickly

Given the present filmmaking economic system within the nation in addition to the funding and time wanted to deliver Quezon to life, it looks as if it could be the final Filipino film to be produced on this scale. Tarog and the folks behind the movie would once more must depend on the facility of phrase of mouth, heightened by a extra aggressive on-line advertising, to refill theaters and replicate the success of Heneral Luna, if solely to interrupt even.

“Whereas I feel cinema has misplaced a few of its energy and cultural relevance because of the technological shift in how we eat media, phrase of mouth remains to be the one option to make this work and to maintain the follow of going to the cinemas alive,” he says.

“Our bubbles have reduced in size because of the algorithmic nature of leisure, however I nonetheless assume it’s potential to make our bubbles intersect in such a means that movies like Quezon can nonetheless make a mark and foster collective mythmaking, versus area of interest consumption.” 

Requested about what propels him to make this entire “Bayaniverse” occur regardless of the percentages, Tarog retreats to Joaquin’s e-book. “Earlier than I learn that e-book, I knew simply as a lot as any common particular person about historic figures. It’s all one-sentence summaries of their heroism and sacrifice. However Joaquin introduced these monuments all the way down to our degree, the place we may see their failures and triumphs, their fallible, human facet.” 

The director continues, “He confirmed our tendency to construct issues up solely to tear it down on the worst second, and on this particular case, it was underneath the looming menace of American imperialism. Throughout that point, the very last thing we wanted was infighting and extra manifestations of our embedded tribalism, a theme I touched on in my earlier movies.” 

“Quezon wraps all of this up by persevering with to indicate the grey areas in folks we take into account as heroes and villains. After which it tries to ask questions concerning the value we needed to pay in having somebody like Manuel Quezon champion Philippine independence,” he says.

“None of that is about damning or vilifying our historic figures. It’s simply an try and dramatize these occasions, as written in books, and foster conversations about how a lot or how little issues have modified since we determined to think about ourselves as a nation.”

Tarog remains to be unsure about TBA Studios’ plans after the film’s theatrical run. It could or could not take a very long time to hit streaming. Chiu-Quickly, in the meantime, is ready to retire from producing as soon as all of this wraps up. The trilogy could have ended right here, however the tales which have lengthy eroded our nation actually received’t. – Rappler.com

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